JOURNAL REFLECTIONS

The process archive

Each reflection journal for my opera practice, start with the date, time, duration, and rehearsal details, followed by a brief outline of the piece—its language, expressive intent, underlying significance. After each session, I record how my understanding of the given piece evolved, which technical choices shaped my tonal quality, and which passages have elicited personal memories or complex emotional responses. These reflections have enabled me to connect my research with my development as an opera singer, particularly in memorization, emotional interpretation, and how multilingualism and the shared mechanism of speech and singing have enhanced my pronunciation and expressive communication.

An overlapping spread of journal pages: contour drawings on lined paper, annotated sheet music, handwritten notes on Italian vowels, a graphite drawing and a coloured graph-paper composition.
A graphite pencil drawing of a treble clef at the left flowing into a wide river of many wavy parallel lines that cross the page diagonally, with small square shapes caught in the current near the right.
Composition of O del mio dolce ardor
Christoph Willibald Gluck · 31 August 2026
Three horizontal bands of coloured pencil on graph paper, yellow-orange at the top, red in the middle and blue at the bottom, each band stepping up and down like a skyline.
Composition of Après un rêve
Gabriel Fauré · 21 August 2026
Black and red ink lines on lined paper. Black lines trace the singer's melody and red scribbled lines the piano accompaniment, with a burst drawn where the music changes and the words 'repeat first line' written beneath.
Composition of The Monk and His Cat
Samuel Barber · 15 August 2026
Blue ink contour lines drawn across lined notebook paper, each line rising and falling with the melody of Du bist die Ruh, with the title written by hand at the top.
Composition of Du bist die Ruh
Franz Schubert · 30 July 2026
I had not imagined that the word "Babbo" merely sung; it translated to something half-spoken, a raw, urgent cry flung straight to Lauretta's father.
O mio babbino caro · Giacomo Puccini · 26 July 2026
A band of coloured pencil clouds running left to right across white paper, yellow into green into blue into orange, red and purple, with red musical notation and wavy staff lines drawn through the colour.
Colour study of Le Colibri
Ernest Chausson · 2 July 2026