JOURNAL REFLECTIONS
The process archive
Each reflection journal for my opera practice, start with the date, time, duration, and rehearsal details, followed by a brief outline of the piece—its language, expressive intent, underlying significance. After each session, I record how my understanding of the given piece evolved, which technical choices shaped my tonal quality, and which passages have elicited personal memories or complex emotional responses. These reflections have enabled me to connect my research with my development as an opera singer, particularly in memorization, emotional interpretation, and how multilingualism and the shared mechanism of speech and singing have enhanced my pronunciation and expressive communication.


Christoph Willibald Gluck · 31 August 2026

Gabriel Fauré · 21 August 2026

Samuel Barber · 15 August 2026

Franz Schubert · 30 July 2026
I had not imagined that the word "Babbo" merely sung; it translated to something half-spoken, a raw, urgent cry flung straight to Lauretta's father.
O mio babbino caro · Giacomo Puccini · 26 July 2026

Ernest Chausson · 2 July 2026